#Groove agent 4 btdigg software#

However, with Groove Agent 4, Steinberg seem to be on a bit of a mission to bring these kinds of tools together. These categories are not, of course, mutually exclusive and, for example, with the right samples, something like EZDrummer can do urban just as easily as it can do rock.

ItвЂ™s also perhaps not surprising that Steinberg felt this significant overhaul was required if Groove Agent was going to stay relevant given the abundance of excellent drum tools, whether virtual drummers or MPC-style drum machines, that are now available. It might not come as a surprise, therefore, that the long-awaited Groove Agent 4, while it may be the next number in the sequence, appears to be a very different beast. However, if you are familiar with Cubase 5 or later, you will have encountered Groove Agent ONE and perhaps Groove Agent SE4, both of which are more in the MPC-style drum-machine mould. It evolved through v.2 (2005) and v.3 (2008), both of which expanded upon what was essentially the same format. While Virtual Guitarist and Virtual Bassist no longer have a place in SteinbergвЂ™s product line, Groove Agent does. They were, in essence, computer-based musicians and, provided you were happy to work within the constraints of the supplied sounds/performances, capable of doing a decent turn if you needed quick results or didnвЂ™t have access to вЂrealвЂ™ musicians to fill these roles on your projects.ДЇor their time, these were novel and innovative products and Steinberg deserve a respectful nod for taking some of these initial steps along a road that other developers have now followed. It eventually sat alongside two other virtual instruments (Virtual Guitarist and Virtual Bassist), all of which shared a similar approach. Why take three virtual rhythm plug-ins into the studio when you can just take one? SteinbergвЂ™s Groove Agent 4 attempts to do it all.Д«ack in the dim and distant past (well, 2003 to be precise), Steinberg released their first iteration of Groove Agent. The following examples have been created with Cubase SX 2, but should be adapted easily to other sequencers featuring automation functions.Groove Agent 4 provides three different Agents and up to four different players at the same time.

And GA more than adequately fits this role, with the added benefit of modern, computer-based sequencers, allowing you to edit, automate etc.

#Groove agent 4 btdigg software#

If thereвЂ™s indeed already a bunch of software drumsamplers like LM-4, Battery 1/2, DR-008, RM-IV, Ezdrummer, BFD and others, as far as I know, GROOVE AGENT was the first one trying to emulate the typical Drum-Machine paradigm : on the one hand, different drumkits at your disposal, and on the other hand, predefined patterns and fills in various styles and being able to put those patterns together to create a complete rhythm track/arrangement. And now of course we have access to fully equipped, DAW computers, and weвЂ™re slowly replacing the oldвЂљ magic boxes with software programs such as Groove Agent. So it just seems normal that people are trying to create artificial drumtracks with synthesizers or replacing acoustic drums by drum-machines and samplers in the studio. Whatever the kind of music youвЂ™re into, acoustic or electronic, drums are the driving force behind all musical styles and tendencies. In our so called Modern Music thereвЂ™s one instrument which is really ubiquitous : introducing Drums ! ItвЂ™s being published here with their very kind permission. This article was first written for the late MusicRun magazine.